Welcome to Our Studio--This is our home away from home
Well, actually, most days it IS our home...when we add the bedrooms our husbands will truly be worried.
Something about Mosaics...
"Most of us can't keep our eyes off mosaics, especially if they're built up from the damaged, the cast off, the orphaned. They are infinitely seductive. We marvel at the time involved, the patience, the technical mastery, the detail. We do this with other kinds of art too, but why does a mosaic invite our bodies--as well as our eyes and intellects--in a way that the Mona Lisa does not? Why are we content to keep our distance from the Sistine Chapel? Would we really want to touch it, even if we could? Whereas, if someone tried to keep us from laying our hands on a mosaic we'd feel deprived, wronged, pissed as hell. These are good questions to ponder." From the book Broken for You by Stephanie Kallos
Ornament donnated by Jan for Rebekah's House Annual Christmas Tree Boutique and Auction 2006
One of the walls outside our studio.
Julie's Nieces: McKenna and Riley Castleberry
A fairy mosaic made by Aunt Julie for the girl's bedroom.
Fused Glass Flower Tile
Handmade Ceramic Tile Leaves
We make both low fire and high fire ceramic tiles.
Bisque tiles: Clay that has been dried and fired to Cone 04 (1947F)
What our tiles look like prior to being glazed. At this stage, ceramic tiles are also known as greenware. The color difference is due to the variety of low fire and high fire clays we use.
The Glazing Process
Once our clay has been turned into greenware, we paint the tiles with a variety of glazes, and return them to the kiln for a second firing at Cone 06 (1828F)
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